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 The eight reference from the klitekture catalogue presents a work from the founder of the label, LOD, that comes with a good critics since ¨Sabado Gris¨, the original composition from this maxi was nominated as best track at the Qwartz Awards in Paris on march of 2006.

Apart from the sutilness of the original track there are several very personal remixes from Sabado Gris by Pep Gaya, Krikor and Tomas Jirku .There is no doubt that we find LOD with Sabado Gris in a great creative moment that he uses to offer a singular and emotive track, that plays with the repetitions of certain structures aswell as he does with our emotions, from the first listen it can be felt a feeling half way between melancholy and mistery that can transmit you any ¨grey Sunday¨(sabado gris) or Sunday, nevertheless while the track goes on the light open its way and never enter on a complete dark tunnel, the sutile melodies on a low-fi based minimal techno bring a great amount of serenity to the good listenerThe remix chapter ads a wide range of stiles within a minimal concept, “Sábado gris” results recognizable eventough it sounds quite different on the three different adaptations, the revision by PEP GAYA can be deduced also as sutile, like the original, it also contains that magic that transmits to your mind while you listen to it, always with that sound halfway between dub and deep techno and highly hipnotics, an style that PEP GAYA controls perfectly KRIKOR  also adapts with an excelent taste on his own style LOD´s composition, giving it a more groovey tone and a more funky attitude based on the reconstruccion and micro-sampling, a technique that Kirkor makes greatly and results very infeccious for the dancefloorThe third and last of the revisions belongs to TOMAS JIRKU, who centered his work  in offering a hard to define cut stylistically what makes it very interesting aswell as abstract, a journey through territories like techno, dub or experimental music in a wide sense and from a very low-fi optic.

Defenitely KLK008 presents on its 4 cuts a good variety of styles and sensibilities from the interiorization to the lack of control, from the empiric to the theoretical and apart from it obtains a great audio homogeneity, maybe because the remixes respects in a big way the intention from the originalAnd all because of a dark Saturday (¨sabado gris¨)  

.............................Written by Dimension sonica 

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